Ryan Romer

Bethel and Anchorage, Alaska Yup’ik and Athabascan

Artist

While he now lives in Anchorage, Ryan’s work remains deeply rooted in the Yukon-Kuskokwim Delta (Y-K Delta) where his ancestors made their home. His paintings and printmaking are inspired from experiences, stories and folklore from the Y-K Delta, capturing nomadic lifestyles as they exist in contemporary Alaska and weaving in indigenous values and knowledge along the way. Every image is intended to present a possible parallel universe — a storyline in motion that the viewer may accept as an alternative to the Western, capitalist structures we live in today. He hopes his work can serve as a catalyst to the viewer to imagine another way of life.

Ryan received his B.F.A. in Printmaking from the University of Alaska, Anchorage in 2008. His endeavor to transform oral storyline into visual arts has been a nomadic process that combines traditional Western fine arts methods with cultural impressions from rural villages in Alaska.

Ernemi Mak’caqlliquvet (That moment when you awaken from darkness to the first light of a new day)

Photo by Jonella Larson White Anchorage, Alaska

This painting acts as a visual stronghold to the healing power of Indigenous ways of knowing. Indigenous people are increasingly recognizing the inherent value and inner strength of their cultures, including Yup’ik people. Our hearts, minds and hands are connecting across an Indigenous landscape. Depicted here is the hope that comes from the first light of a new day, when you emerge from darkness and the sun shines bright, encouraging people to rejoice and dance.

The traditional knowledge and ways of life that our ancestors passed on to us are now critically needed to advance equity and spiritual growth for all. Human beings must make a choice regarding how we move forward with each other and with the earth. Will we continue to mistreat each other and the land, or will we usher in a healthier way of being, grounded in our ancestor’s guidance?

The foreground shows spiritual characters on an ice flow that is slowly receding as a representation of the ongoing impacts of climate change. These expressive formations are meant to show the value of indigenous knowledge and the power it has to connect humanity, giving hope to a changing cultural landscape that is sorely needed.

May we all gather together as people of this planet, together bringing hope for positive change.

Apapi, AlexAnna Salmon (Yup'ik)

“None of us have had to say where our expertise comes from … everyone understands that we are standing on thousands and thousands of years of cultural knowledge about one specific place on this planet and that is so deep. The mutual respect and understanding is already there so you just get to the deeper topics right away. Our approach is very holistic. We can talk about anything from language revitalization, to building an economy, to food security.”

Apapi, AlexAnna, was raised in the Village of Igiugig. A granddaughter of John and Mary Olympic and the second oldest child of Dan and Julia Salmon. In 2008, she graduated from Dartmouth College with a dual Bachelor of Arts degree in Native American Studies and Anthropology. After graduating, she returned to work for the Igiugig Tribal Village Council as President and Program Director. She also serves as a member of the Igiugig Native Corporation board, as well as the Lake and Peninsula Borough Planning Commission, and the subregional health board. She is enrolled in the Department of Alaska Native Studies and Rural Development Master of Arts program at the University of Alaska, Fairbanks.

Geh Gii Ch'adzaa, Rochelle Adams (Gwich'in)

“Building on top of our Indigenous Knowledge, uplifting that and moving toward sustainable practices and deciding what is good for our land, and what is good for our people, and how can we all do this together … We’re a part of something that is so much bigger than ourselves. We are all creating what this is now so it’s hard to say where this is going to take us but we sure know it’s going to be amazing because it comes from a place of love, and our values, and community, and homelands, and traditions.”

Geh Gii Ch’adzaa, Rochelle, is from the Interior Alaskan villages of Beaver and Fort Yukon. Her parents are Angela Peter-Mayo of Fort Yukon and the late Cliff “Tuffy” Adams Jr. of Beaver. Her maternal grandparents are Susan (Lord) and Johnny Peter Sr. Her paternal grandparents are Hannah “Babe” (VanHatten) and Cliff Adams Sr. She was raised living a traditional Athabascan lifestyle with her family following the seasonal cycles of hunting, fishing and trapping off of the Yukon River. These are the values and connections that guide her today and she proudly represents this in all parts of her life and work. She is the mother of three teens, which she is raising with these same values of connectedness, love and respect. Through her many roles and actions, Rochelle has continuously sought to bring her perspective as an Indigenous woman with cultural knowledge, born of the lands and waters, training from the elders with a vision of the future generations to empower Native people everywhere. “It’s important that we as Indigenous people are able to shape the world that we live in to ensure the well being of our people on our own traditional homelands and in our own languages.

Iñuuraq, Kaylene Evans (Iñupiaq)

“When we think about a sustainable future, it is about returning to and a reclamation of our values, rather than just a pivot away from them. It is more coming home to our ideas and beliefs that we know are so sacred and inherent to who we are.”

Iñuraaq, Kaylene, is Iñupiaq from Sitñasuak (Nome), Alaska. She is the daughter of Bobby Evans of Sitñasuak and Kathleen Jaycox of Katyaak and the granddaughter to the late Laura (Sockpick) Evans of Kiġiktaq, Bob Evans of Minnesota, and the late Myrtle Wells of Katyaak. Upon receiving her master of arts in Indigenous Politics from the University of Hawaiʻi, Mānoa, she returned to Alaska to strengthen her connection to her community, nuna, and traditions. Iñuraaq is a poet, retracing Iñupiat creative traditions. She is passionate about individual and collective healing through the rejection of colonial ideologies and lifestyles, and a return to Indigenous languages, homelands, and values.

Akall'eq, Andrea Burgess (Yup'ik)

“We can mentor the rest of the world as they try to come up with solutions and come up with a model. We have the model. We have the knowledge of what it means to be in relationship to land and place. We lived in balance and so as the the rest of the world desperately looks for hope and sustainable living, transitions, we as Native people can help unlock that and help articulate and show the rest of the world what we can come back to.”

Akall’eq, Andrea, is a community activist from Bethel, Alaska now living and working on the lands of Kānaka ‘ōiwi (Native Hawaiians). She is a Yup’ik Tribal citizen of the Native Village of Kwinhagak. Andrea serves as the President of Native Peoples Action and as a co-founder of Native Peoples Action Community Fund where her role is to advance Indigenous ways of being and knowing in the Just Transition movement. She is Company Owner of With Real People, a consulting and production based firm in Alaska and Hawaii. She is also Global Director of the Conservation in Partnership with Indigenous Peoples and Local Communities program at The Nature Conservancy. Andrea has a bachelor’s degree in government/political science from Georgetown University and spent several years working for Alaskans in Congress on Capitol Hill.